LUKA CHUPPI

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This film is set in the small town of Gwalior and Vrindavan and the whole premise hinges on the “Modern Concept” of LIVE-IN.

The hero is TV News Anchor on a Local News Network where the heroine also starts interning after graduating from Delhi. Her father is a right-wing neta, dead against Live-In relationships and is the protector of Bhartiya Sanskriti. The pair fall in love and the only condition by the heroine is the she wants to live-in before they take the final plunge.

And this very demand takes them to Gwalior, pestered by nosy aunty and sneaky neighbours before being caught by the hero’s relatives and the confusion ensues. From the falsehood about their marriage to the failed attempts in actually getting married with each other haggled on by their relatives.

The star cast starting from Karthik Aaryaan, Kirti Sanon, to the colourfully dressed Pankaj Tripathi, to the Neta/Father Vinay Pathak and the side kick of the hero Aparshakti Khurana play their parts well. So does the ensemble of actors playing the relatives. The songs in the first half seemed forced and unnecessary. And the real peppy song like Coca-Cola gets wasted in the end credits and Poster Chapwa wasn’t there only. That’s certainly unfair.

Movies set in small towns seem to be flavour of the season for Bollywood. So like this genre there is situational comedy, relatives with their own quirkiness, use of local dialect, shot on real location etc. These movies are like the millennium versions of Hrishikesh Mukherjee and Basu Chaterjee’s films.

What works for me in the movie is the lead pair and their easiness and some of the scenes are really funny. The movie doesn’t real offer anything new what the movies from this genre haven’t offered earlier. But it doesn’t disappoint either.

One of the sadhus when asked about his take on LIVE-IN says “प्रेम है तो सब पवित्र है”, and in another there is this line “मुस्लिम हूँ एलियन नहीं”, with some interesting writing this one is light-breezy film, fulfilling the entertainment quotient for the weekend.

Bareilly Ki Barfi

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This movie like some of the latest Hindi films is based in a small town where people wear everyday clothes, live in houses that looks real and the character that do not mouth dialogue.

It’s a story about Bitti Mishra (Kirti Sanon) in the mould of Tanu (Kangana Ranaut); a carefree, free spirited girl who works in the Complaint Department of the Electricity Department while scaring away prospective grooms. download (16)She happens to read the book titled ‘Bareilly Ki Barfi’; about a girl that does Brake Dance, smokes and rides motorcycles with the boys, a character that is completely her and gets besotted with author of the book who happens to be Chirag Dubey (Aayush Khurana) a printing press owner; who instead of using his name uses or misuses the name and picture of his friend Pritam Vidrohi (Rajkumar Rao); a Saree Salesman as the Author.

Bitti is wholeheartedly supported by her parents. Her father a sweet shop owner talks to the fan in the night and the school teacher mother who is perennially looking for a groom for her daughter but luckily not in typical Hindi movie melodramatic manner. So in short this movie is what you get when you marry the scripts of Saajan –(the early 1990’s hit) with Tanu weds Manu and the result is the relationship that is made in heaven.

The humour is crackling especially when Raj Kumar Rao comes on the screen. He is brilliant and you can’t but root for him. Copy-of-XICO-2_200717-122324The quick shiftovers from a simpleton to a Street Thug(Rangbaaz) is something only he could pull off. Aayusman as the smart alec who bullies his friend to get his lady love is good but it’s the type of character we have seen him playing earlier as well and Kirti Sanon also manages to pull it off.

The movie for me belongs to Raj Kumar Rao and Biitti’s exasperated parents and the dialogue writer for treating the movie goers with a laugh riot. A special mention to the voice over of Javed Akhtar who brings not only brings humour but also gravitas to the story by taking the story forward.

The end is predictable but the journey is sweet , dipped and fried in ghee for us to relish.