SANJU

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It took me full one week to finally watch the blockbuster Sanju: The biopic of BABA i.e. Sanjay Dutt. The reason for the delay is partly the unavailability of time and mostly because the tickets weren’t just available for the shows I wanted to go for. As you all are aware that this movie has broken all the box office records so this review wouldn’t carry much weight age but old habits die hard, I am going to review this one too.

This is supposed to be a biopic of Sanjay Dutt but to me it’s more like cherry picking the parts with liberal use of cinematic license. Film starts with the search of a biographer to tell the real story of Sanjay Dutt or to be more specific the sanitized life story. The search starts with Hindi speaking Piyush Mishra aka Tripathi ji and ends with the English speaking Winnie Dias played by Anushka Sharma. The film basically deals with the most controversial parts of Sanjay Dutt’s life i.e. his drugs addiction, TADA Case and the domestic life with his latest wife.

We all are defined by the choices we make and this movie is all about that. Rajkumar Hirani chooses to make an ode to the life story Sanjay Dutt and almost blaming everyone else but the actor himself for the bad choices from the pushy drug peddler, over bearing father, the underworld threat calls and the unscrupulous media. Like always he makes a brilliant movie with some exceptional magic movie moments that leaves a lump in the throat.

Ranbir Kapoor chooses to give this movie his best shot and we forget that it is him. He copies the mannerism and sway with perfection. He makes us root for Sanjay Dutt, hold him and protect him and support his bad decisions.sanju-movie-review_2018-6-29-10-3-59_thumbnail

If it were a piece of fiction Sanjay Dutt would have been a hero who falls and rises up each time with more energy and vigour. But sadly this is supposed to be a biopic and fact is stranger than fiction. He cSanju-box-office-Indchooses to use drugs, acquire AK 56, have friendships with the underworld and for marrying the times he married and there can’t be easy excuses    for these. Dia Mirza playing Manyata Dutt is acting as Sanskari wife from the Saas-Bahu saga which hardly seemed the reality (well that is a media driven image and they are nothing but just a medium of spreading lies, so we are told on more than one occasion in the movie).

The relationship between father-son is brilliant but somehow I found Paresh Rawal as Late Sunil Dutt a little too filmy and unfit or caricatured. Manisha Koirala as Nargis played her character well and she definitely deserved more screen time. One character that is a stand out is Kamli played brilliantly by Vicky Kaushal as the Gujarati Techie based in America.

There are some standout scene for me like when he goes to his girlfriend’s i.e. Sonal Kapoor (presumably Tina Munim Ambani) place to ask for liquor from her father, the jail scene, the camaraderie between Sanju and Kamli, the scene where is high on drugs and garlands his GF with the toilet seat instead of mangalsutra and his scene with the minister to name a few.

Sanju – The film directed by Rajkumar Hirani is a brilliant cinema if it were to be just a piece of fiction but when you remove uncomfortable questions, important characters/ family members/wifes its doesn’t remain a biopic but rather becomes: SANJU – A LOVE STORY BY RAJKUMAR HIRANI !!

 

Veere Di Wedding

 

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The last movie that I had gone for First Day First Show was the highly disappointing film of Bhai and that was Tubelight. Today once again it was FDFS to watch Veere Di Wedding with my friend in tow; incidentally we both are currently enjoying the annual bachelorhood. So we enter the theatre which was not so surprisingly full and we realise that we must be the oldest people in the auditorium who had come to watch this film at this time of the weekday. We were expecting to be entertained and we most definitely were!!

To get to the basics; the plot is about 4 school buddies and the issues they are facing a decade later in their lives from divorce to dysfunctional families to overbearing parents to commitment issues also parenthood; and their coming together for the wedding of Kalu i.e. Kalindi played by Kareena Kapoor Khan. This film is based in upper echelons of Delhi Society with glam served in dollops.

This movie is the female version of, if I may say so of Dil Chahta Hai and Zindagi Na Milegi Dobara. If Sex and the City will ever have a desi version then this is it, you can find traits of Carrie, Samantha, Miranda and Charlotte in the leading ladies. thThese four gurls i.e. Kareena Kapoor Khan, Sonam K. Ahuja, Swara Bhaskar and Shikha Talsania have a chemistry that is genuine and the sparks of their warmth, irreverence and friendship illuminate the screen.

The language, feel and the act is modern everyday lingo and we can find characters like these all around us. Dialogues that are so real that can’t be reproduced here. You have got to watch the movie to realise what I mean.

However this movie isn’t everyone’s cup of tea, some may find it offensive and unrelatable but I guess that’s the part of movies that they are not catering to the lowest denominating factor and there is an audience for all sorts of films. The only tad problem is the in your face brand promotions in the movie.

With a running time of two hours it is never boring and for most parts it left me in splits. The supporting cast is brilliant with Sumit Vyas as the harried fiancé, Vivek Mushran as the Gay Chacha. The movie belongs to the four girls, so go watch this laugh riot !!

 

PADMAN

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‘America ke paas Superman hai, Batman hai, Spiderman hai … lekin India ke paas Padman hai’ this line is delivered by one of the characters in the movie Padman to highlight the contribution and achievements of Lakshmikant Chouhan – The Padman.

It surely takes lot of courage to put your money where your mouth is and bring on the silver screen a taboo and sensitive subject such as menstruation and female hygiene that also a leading actor as the main protagonist.

The story is based on a real life character that is being played by Akshay Kumar an 8th pass welder who in the opening sequence of the movie is getting married and who wants to make life easy for his new wife – Radhika Apte ; imagesfrom designing a convenient pillion seat on his bicycle to making a onion cutter from a toy to ease her crying. The only thing that leaves him frustrated is the use of a dirty cloth by his wife during her menses and this is how he embarks on the journey from buying branded sanitary pads to using indigenous methods of copying the same. From convincing medical students to try his product to himself trying the same with animal blood and a football tube replicating as an uterus.

This not only leaves his wife but also his sisters and mother frustrated and embarrassed by his antics and the taunts of the village folks leading to their estrangements from him. This does not deter him and he goes on his journey from becoming a domestic help to ever a masseur to a moneylender to fulfill his dream images (1)which he finally realizes with the help of a Tabla Player /MBA- Sonam Kapoor and her IIT Professor father and also helping the poor women becoming selling these pads and turning entrepreneurs.

It’s an Akshay Kumar film all the way who sinks his teeth deep in the role playing the Character with honesty and spirit supported ably by the other players. The moments between him and Radhika Apte feel genuine and real. What I fail to understand is what was the reason Sonam Kapoor is shown as professional Tabla Player , I mean she could have been just anyone professional but a tabalchi??

I remember some time back visited an NGO in Udaipur that makes reusable clean cloth sanitary pads and had shown us the same and some of my friends just appreciated the idea but squirmed at the suggestions of holding and feeling the quality of a new pad. Go watch this movie just to bring a topic such as this to mainstream that also entertains, though sometimes it does gets preachy and is little too long but to encapsulate a man’s junoon for a movie does take time to retell.