JUDGEMENTALL HAI KYA

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The title of this film initially was Mental Hai Kya before they changed it to Judgementall Hai Kya. This was done to pacify and be political correct after the Psychiatrists took offence.  So I shall follow the latter title and be Judgy as hell, which I am usually is!!

This film is about a little girl Bobby (Kangana Ranaut) who loses her parents to freak accident and thereby develops a mental condition, so I am made to infer by the filmmakers. She grows up to become a dubbing artist, a wannabe actress with her own mental issues. A pair of young couple comes to live with as tenants in her house and in which eventually the wife is burned and killed. The suspect is both the Bobby and the victims husband (Rajkumar Rao) and they both accuse each other for this crime, however both eventually gets the clean chit from the cops.

Post interval Bobby meets this guy again who is now married to her cousin living in London and what follows is the doubts and accusations towards each other. They both are wary of each other and try gathering dirt from each ones past to strengthen their case. This being a murder and a Psychological thriller I am not going to reveal anything more.

So being Judgemental AF this is what I think:

What Works:

  • The Brilliant Kangana Ranaut, she aces at playing these roles. Unhinged and unafraid to play such a character.
  • Some of the jokes and the characters work in the first half, especially the cops and her doormat of a boyfriend.
  • Rajkumar Rao is again someone who always lifts up any character he plays.
  • I like the take on Sita ji and the use of chaupai from Ramcharita Manas.

What Fails:

  • Despite it being just 121 minutes long, it feels long which means sometimes it is not going anywhere.
  • The second half is such a slog just wanted to fast-forward to the end.
  • The climax is overlong and it takes forever to come.
  • I do not really understand the symptoms of Bobby’s mental illness wish they could have elaborated that to, maybe know her better.

To deliver my closing remarks in the Judgement of this film: The Ayes get drowned in the din of the Nos.

समझे ?? नहीं ??

400 शब्दों की एक बात इस को आप मेरे हिसाब से skip कर सकते हैं !!

BADLA

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This movie is about a woman who wakes up to find a mystery murder of a man in her hotel room which is locked from inside and no trace of any other person entering the room.

Thus begins the movie and the beginning of the whodunit:  finding motives, culprits and the innocent by the woman framed and her lawyer and the people involved.

The Framed Woman is Tapsee Pannu.

The Lawyer is The Amitabh Bachchan

The People involved are mainly Amrita Singh.

They have set the movie in gloomy snowing winter England which frankly could have been set anywhere. The location hardly does anything unlike the director Sujoy Ghosh’s Kahani wherein Kolkatta played an integral part of the film. It was more the case of की producer के पास पैसा है उसे कैसे दिखाएं जनता को ?

We all are now well aware of the acting prowess of Mr. Bachchan and also that of Tapsee Pannu, so they bring what they are supposed to in the movie i.e. brilliant acting. However what is the surprise element is Amrita Singh who is back after a long brake.

The movie is engaging but gets but lacks the punch of movies like Kahani, you kind of know the killer but the time the filmmakers take to get there takes too long even for a 2 hour long movie. However some of the analogies of Mahabharata does offer interesting insights.

What also surprises me is the lack of investigation / inefficiency of the London Police and how easy it seems to buy witness, proofs and find fake proofs of innocence. इस मामले में तो इस मूवी ने भारतीय पुलिस को भी पीछे छोड़ दिया.

Sadly the sum total of all the individual talent of the producer, director and the actors of this film is less than what it should have been.

So एक बार देख लीजियेगा, वैसे भी सस्पेंस वाली फिल्में एक बार ही अच्छी लगती है.