This movie is about a woman who wakes up to find a mystery murder of a man in her hotel room which is locked from inside and no trace of any other person entering the room.
Thus begins the movie and the beginning of the whodunit: finding motives, culprits and the innocent by the woman framed and her lawyer and the people involved.
The Framed Woman is Tapsee Pannu.
The Lawyer is The Amitabh Bachchan
The People involved are mainly Amrita Singh.
They have set the movie in gloomy snowing winter England which frankly could have been set anywhere. The location hardly does anything unlike the director Sujoy Ghosh’s Kahani wherein Kolkatta played an integral part of the film. It was more the case of की producer के पास पैसा है उसे कैसे दिखाएं जनता को ?
We all are now well aware of the acting prowess of Mr. Bachchan and also that of Tapsee Pannu, so they bring what they are supposed to in the movie i.e. brilliant acting. However what is the surprise element is Amrita Singh who is back after a long brake.
The movie is engaging but gets but lacks the punch of movies like Kahani, you kind of know the killer but the time the filmmakers take to get there takes too long even for a 2 hour long movie. However some of the analogies of Mahabharata does offer interesting insights.
What also surprises me is the lack of investigation / inefficiency of the London Police and how easy it seems to buy witness, proofs and find fake proofs of innocence. इस मामले में तो इस मूवी ने भारतीय पुलिस को भी पीछे छोड़ दिया.
Sadly the sum total of all the individual talent of the producer, director and the actors of this film is less than what it should have been.
So एक बार देख लीजियेगा, वैसे भी सस्पेंस वाली फिल्में एक बार ही अच्छी लगती है.
This film is a love story set in Amritsar that is directed by Anurag Kashyap and produced by Anand L Rai. Thus it has everything that they both represent in terms of their art such as:
- Set in a Small Town
- Believable Characters
- Characters that mouth everyday lingo and not dialogues (luckily no gaalis)
- Music that takes the movie forward
- The matters of heart that is beyond reason
The story is about Rumi played by Tapsee Pannu an orphan (not the sobbing types) who live with her extended family (not she is a burden types) and who has a torrid affair with a DJ and a wannabe musician Vicky played by Vicky Kaushal. The only problem is that though there is genuine Pyaar and Fyaar (u know what I mean and which the characters too emphasize) the guy is not sure/ready to take the responsibility of marriage. Like one time when she is eloping with him and tells him “की तो लड़का तो बहुत अच्छा है लेकिन responsibility के नाम पर हग देता है” and turns back.
And then there is this NRI Munda Robbie played by Abhishek Bachhan, he is whatever Vicky isn’t. He is sincere, well settled and ready to mingle with Rumi. The problem is she can’t decide what to do with both of them. With one she is hopelessly in love and the second is willing to go all out to have her. She is unable to stand for herself or the men in her life till the very end and then like they say we know which way the tide would turn.
Vicky Kaushal plays it brilliantly as the unsure bungling lover boy and then there is Abhishek Bachchan who plays the silent brooding types. The music is great that mainly plays in the background taking the movie forward. But the film belongs to only Rumi. She is fiesty, vulnerable, honest and confused all this played brilliantly by Tapsee Pannu
The first half is crackling and the second just gets repetitive beyond a point. With a run time of more than two and a half hours it sure does feels like it. But I guess that’s the problem with Anurag Kashyap he just doesn’t know when to wind up, the case in point being the brilliant Gulal and Gangs of Wasseypur. For the latter he ended up making two part full length film (not that I am complaining).
I ain’t giving away the plot but this film is made from the same mould as that of the real life wife of Robbie and her famous Ex-Boyfriend and another film about those seven days.
With these hints and opinion of this wannabe movie critic go if you want to or try catching up with Kashyap’s previous film Mukkabaaz !!
20 years back I remember seeing Judwaa in Mumbai where I was then pursuing my Undergraduate Degree and if my memory doesn’t fail me it was the Metro Cinema. Those were the days when David Dhawan was at his peak churning our logic defying, crass yet comedy entertainers with his favourite Govinda. Salman Khan too had killed it with Judwaa fitting in perfectly with the David Dhawan’s brand of cinema.
20 years later as I took my kids to watch this movie last night I wasn’t expecting anything different from Dhawan & Sons(David & Varun). The Plot line remained the same : logic defying, misogynist, racist, sexist, sometimes funny, sometimes absolutely crazy, most times passable and an updated version tech savvy version of the original.
For the uninitiated the plot is about conjoined twins who thru surgery are separated at birth but with some funny statistics of one in 8 million, match each other’s reflexes (Plz don’t look for logic). The father of the twins gets Charles – a smuggler of diamonds (So Eighties) gets arrested and to take the revenge the smuggler takes one of the twins and leaves him on rail tracks who is eventually raised by a fisherwoman and the parents take the one with them and shift to London. So we have the street smart Mumbaiya – Raja and the London raised docile – Prem. Circumstances makes Raja travel to London and the craziness starts henceforth with lady love and glamour thrown in the form of Tapsee Pannu and Jackquiline Fernandez (she is way too plastic and botoxed).
The films has some crazy characters thrown in with Upasana Singh as the pushy mother (in the mould of Bindu), the Jat English Policeman, stammering Rajpal Yadav as the sidekick of Raja, amnesiac Vivan Bathena as the son of the Gangster Charles, Anupam Kher as the father of the bride and his doubting Brother-in-law, Ali Asgar as a Psychologist and Jhonny Lever as the owner of Travel Agency who’s into the business of making fake passports. There are loads of references to other Hindi Films in terms of dialogues, songs and scenes.
So you see it’s a complete no brainer with jokes and scenes coming in fast one after another. Varun Dhawan is the perfect actor to fit into Salman Khan’s shoes and he just doesn’t disappoint. Sadly the same cannot be said about his father David Dhawan who is still living in a time warp. The audience has moved on and there are filmmakers who has taken from where he left in the 90’s such as the likes of Rohit Shetty, Sajid Khan etc.
My kids who too are twins (no not the filmy reflex matching ones) went crazy laughing the entire duration of the movie alas it wasn’t the same in my case.