RIP – Durga Nursery Road

More than 50 years back my grandparents bought an agricultural land on the College Road – an area that was on the outskirts of the walled city. They christened this farmland as Durga Nursery named after our family’s ruling deity Durga Mata. This farm eventually turned out to be our family’s permanent abode and also a place for my grandmother to test her agricultural acumen by growing varied crops such as sugarcane, wheat, corn, cotton and grapes.

This farmland was the very place where my grandfather was cremated and where a memorial stands in his name and over time even my grandmother was cremated here and here lies her Samadhi Sthal.

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A quaint lane with minimum thoroughfare: on one side was our home besides 2-3 others and on the other University’s residential quarters. As children we were not allowed to venture outside our homes after sunset as there were jackals in the vicinity that would scare us late at nights with their cry. Monsoon was a season where we had company of the reptiles: घर के अन्दर, घर के बाहर. इतनी आदत सी हो गयी थी की जब कोई गेस्ट से सापों का वाबस्ता होता तो brag करते की यह हमारा पालतू है और कुछ नाम भी दे दिया करते थे.

I think it was in the early nineties that this road was no longer being called ‘College Road’ but started being addressed as ‘Durga Nursery Road’. I do not know was it the commercialization of the road that bought about the name change or it was the other way round. It had seized to be a quite anymore.

This road not only faced the ire of rampant commercialization but also the fact that it’s one of the major roads that connects the sectors with the city. We no longer see peacocks dancing on rooftops during the rains, snakes rarely give us company and the temperatures too do not dip as you turn towards this road.

We have buildings with basement but no parking facility in them; high rises with absolute zero compliance with the norms. Coaching Institutes with no parking provision, for their students in their premises.

Last nail in the coffin has been the recent decision by the administration to have a divider running the length of the road. A 60 ft road now gets divided into two, with footpaths and cars being parked on either side of the road and Voila!! We have a road with a pliable width of only 20 ft on each side. This has actually made it a single lane road now.

Looking at the condition of the area and over-commercialization over the past few years, some of my well-wishers have been suggesting that it is no more a livable option and we move out to a quieter neighborhood but have always negated this option क्यूंकि अब जीना यहाँ और मरना यहाँ!!

Or maybe I am saying it too soon!!

 

GAVRI

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After years had the chance to watch and enjoy ‘GAVRI’ yesterday at the residence of Shri Raghuveer Singh ji Meena – Ex MP from Udaipur.

I remember as a kid an entire trope of Gavri performers from the nearby village of Badi would perform at our residence. If my memory doesn’t fail me Kuka, Chapliya were the names of some of these local Folk Artists. What really amused us kids then was these men dressed to the hilt as women !!thumbnail (9).jpg

Times flew by, did manage to get a glimpse of Gavri performances being played here or there and yesterday was really up, close and personal.

For the uninitiated Gavri, is a 40-day long festival celebrated in July and September of each year in the Mewar region of Rajasthan. It starts from Rakhi and concludes 9 days after Ganesh Chaturthi. It is an ode to Goddess Gauri – the wife of Lord Shiva thus the name GAVRI, her blessings are invoked at each such enactments.

Only men perform so they even play the characters of women. This is performed by the Tribal community of Mewar – an area that compromises of South Rajasthan.

 

During the 40-day Gavari season, all players IMG_20190912_131901-01.jpegpractice strict austerities to maintain reverent contact with the living earth and the immanent spirit. They avoid not only sex, alcohol and meat, but also shoes, beds, bathing, and eating greens (which might harm insect life). They eat only a single meal each day during the season. They also cannot go back to their homes during these 40 days no matter what the situation demands.

https://en.wikipedia.org/wiki/Gavari 

 

I am sharing some of the pictures of yesterday’s performance.

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The government or for that matter even us, need to share some responsibility to protect and promote these local traditions or it will be matter of time our new generation will only read about them in their textbooks and newspapers.

MISSION MANGAL

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Mission Mangal is part fact-part fiction film about India’s mission to Mars. This success achieved in miniscule budget and by the team of underdogs!!

Following are the reasons why you should watch the film:

  • First and foremost is to celebrate the success and achievements of ISRO. When some people were stuck in cattle there was a leader like Nehru and Scientist like Vikram Sarabhai who dared to dream. It was for their vision and nurturing talent and scientific temper that this mission was managed in a budget of around Rs. 450 crores, less than the budget of the Hollywood Film AVATAAR
  • For Akshay Kumar : For he is the new age Manoj Kumar. SRK and Bhai can have their Eid and Diwali but Mr. Khiladi rules the box-office thru 15th August and patriotism.
  • For the team of underdogs who come together to achieve greatness and proving everyone wrong.
  • To have great back stories about the lead actors tackling themes such as Infertility, Casteism, Astrology, children abandonments of aged parents and most importantly maintaining the home-office equation by working women.
  • For making sure that these back stories never deviate from the main plot.
  • Luckily there are no melodramatic patriotic movements, no forced love angle and no jabardasti ke songs (well they could have had one less)
  • For the great ensemble cast who seemed secure in their roles and didn’t seem to undercut anyone.
  • For Vidya Balan who is in top form, btw when is she not? She is plays it perfectly as a women follows her passion without any guilt of compromising on her domestic front. For me she is the Lady Aamir Khan who can play any role with élan but again that may be unfair she is her own without any comparison.
  • We Udaipurites have to watch this one as our very own INDIRA IVF as they are the brand partner for this film. Watching our home grown enterprise making a mark on the Silver Screen and internationally too is a proud-proud moment.
  • For not making space jargon and science too complicated, by catering to the lowest common denominator.
  • Every story has a hero and a villain and this one too has one. He is the devil’ advocate, American returned , NASA trained Scientist Dalip Tahil. लेकिन थोडा ज्यादा ही negative हो गए.

So you see I have gushed and gushed about this film and you too must  do that by watching MISSION MANGAL !!

The Artist House

“It is also to be noted that standards of morality in a society change with the passage of time. A particular activity, which was treated as immoral few decades ago may not be so now. Societal norms keep changing. Social change is of two types: continuous or evolutionary and discontinuous or revolutionary. The most common form of change is continuous.

However, a practice which may not be immoral by societal standards cannot be thrusted upon the society as immoral by the State with its own notion of morality and thereby exercise ‘social control’.

The words ‘obscene, indecent or profane’ are disjunctive, implying that each has a separate meaning. Prurient appeal is an element of the obscene, but the normal definition of ‘indecent’ merely refers to non-conformance with accepted standards of morality.”

These above paragraphs have been delivered by none other than the Judges of the highest court of the land i.e. The Supreme Court of India.

I quote this judgement in the context of the recent hullabaloo in Udaipur on the opening, functioning and now censuring of The Artist House (TAH).

I have a confession to make here, I have not visited this place even once and there was this one time I did want to go but was refused entry as ‘Stags’ weren’t allowed that night !! Our group of boys (In our head we still are) couldn’t take anyone as our better-half’s had gone for their annual summer pilgrimages ( I hope you do get the joke or else read no further) and we obviously couldn’t take anyone else for fear of its repercussions and reprimands.

However, since then whatever updates I have seen of Social Media about the TAH, I am scared to even venture anywhere near it, for fear of being ‘UNCLED’ by the extremely hip crowd. I mean, to see such a crowd enjoying is something that reminds me of my Mumbai college days of the 90’s. OK!!  Even then I was never the cool kid but of what was still then just a ‘Metro Phenomenon’. And then TAH happened to Udaipur.

Hats off to the guys behind this place for their vision and adventurousness to give such a place to Udaipur. I have family and friends visiting this place with rave reviews.

But the way this place has now been targeted is appalling, if there is a legal problem then so be it and let the owners deal with it legally but I have a problem for this place being branded immoral and a den of all the vices. There is no one set moral system that fits all and even if there is one who decides for me?

The values and morality can’t be cherry picked and please do not impose a warped ideas of what is right and wrong on educated, adult, youths ( I do not know if I fit in the last category) of Udaipur !!

So go ahead and enjoy The Artist House, dole out the bucks and remember they close at 11:00 PM now !!

SHAADI MUBARAQ

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प्रिय नीता भाभी,

सर्वप्रथम आकाश बाबू और श्लोक बिटिया की शादी की बहुत-बहुत मुबारकबाद !!

दो दिन से नवदम्पति की फोटो देख-देख कर मलाल हो रहा है की काश इनकी शादी में आ के उस फूलों वाली फोटो वाल के आगे अपनी तस्वीर खिंचवा पाता, पर यह हो न सका !!

खैर आपके परिवार की दो शादियाँ छोटे से अंतराल में सम्पन्न हुई. एक की वैभवता तो उदयपुर वासी होने के नाते करीब से देखी और अब यह वाली सोशल मीडिया के माध्यम से.

वैसे पहले वाली जैसे चर्चे इस बार नहीं!! ना ही इस बार बादशाह, शहेंशाह और भाई को बैकग्राउंड में नाचते हुए देखा, ना ही इस बार पुरुस्गारी / मेहमाननवाज़ी करते दिखे और ना ही इस बार आपके नृत्यकला और मुद्राओं को देखने का मौका मिला.

वैसे कुछ सवाल जिज्ञासा वश मेरे मन में उठ रहे हैं जैसे की :

  1. यह जो सेलेब्रिटी आप बुलाते हैं यह फ्री में आते और परफॉर्म करते हैं या कुछ मेहनताना लेते हैं ??
  2. अपनी संतानों की शादियाँ कराते हुए जो ख़ुशी आपके चेहरे पर दिखती है वह शायद हर माँ के चेहरे पर दिखती है, लेकिन कई बार ऐसा मुझे क्यूँ लगता है की they all dwarf in ur shadow, क्या आपको भी यह लगता है?
  3. घर घर माटी चूल्हे वाली कहावत तो आपने सुनी होगी, क्या आपके यहाँ भी फूफा / मौसा / देवरानी / ननद का रूठना मनाना शादी में चलता रहता है ?
  4. क्या आप डिज़ाइनरज़ मुख्यतः सब्यसाची को पाबंद नहीं कर सकते आपकी शादी में पहने हुए कपड़ों का सेल्फ-प्रमोशन करने का, बहुत ज्यादा इन-योर-फेस टाइप लगता है मुझे ?
  5. हमारे यहाँ बहु से सबसे पहले लापसी बनवाते हैं, आपके यहाँ क्या बनवाते हैं ?
  6. क्या नव-दम्पति पर अपनी दादीजी को सोने की सीडी चडाने का प्रेशर है ?

खैर सानू की ? आपकी शादी, आपका घराना, आपका धन मुझे क्या ??

अभी आप से इज़ाज़त लूँगा क्यूंकि अभी-अभी मेरी शरीक-ऐ-हयात (बीवी) ने आकाश बाबु के फेरों का सात मिनट का विडियो व्हाट्सएप पर भेजा है जिसको तुरंत देखना अति आवश्यक है.

सासू माँ को अनेकों बधाइयाँ,

आपके परिवार की हर शादी को बारीकी से देखता एक भारतीय

PS : पिछली बार जब ईशा बाई सा की उदयपुर में शादी हुई थी तो एक मेरी FB पोस्ट पर टिका-टिपण्णी से उखड़े एक जानकार को अन-फ्रेंड करना पड़ा था. आशा है की इस बार ऐसा नहीं करना पड़ेगा.

LUKA CHUPPI

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This film is set in the small town of Gwalior and Vrindavan and the whole premise hinges on the “Modern Concept” of LIVE-IN.

The hero is TV News Anchor on a Local News Network where the heroine also starts interning after graduating from Delhi. Her father is a right-wing neta, dead against Live-In relationships and is the protector of Bhartiya Sanskriti. The pair fall in love and the only condition by the heroine is the she wants to live-in before they take the final plunge.

And this very demand takes them to Gwalior, pestered by nosy aunty and sneaky neighbours before being caught by the hero’s relatives and the confusion ensues. From the falsehood about their marriage to the failed attempts in actually getting married with each other haggled on by their relatives.

The star cast starting from Karthik Aaryaan, Kirti Sanon, to the colourfully dressed Pankaj Tripathi, to the Neta/Father Vinay Pathak and the side kick of the hero Aparshakti Khurana play their parts well. So does the ensemble of actors playing the relatives. The songs in the first half seemed forced and unnecessary. And the real peppy song like Coca-Cola gets wasted in the end credits and Poster Chapwa wasn’t there only. That’s certainly unfair.

Movies set in small towns seem to be flavour of the season for Bollywood. So like this genre there is situational comedy, relatives with their own quirkiness, use of local dialect, shot on real location etc. These movies are like the millennium versions of Hrishikesh Mukherjee and Basu Chaterjee’s films.

What works for me in the movie is the lead pair and their easiness and some of the scenes are really funny. The movie doesn’t real offer anything new what the movies from this genre haven’t offered earlier. But it doesn’t disappoint either.

One of the sadhus when asked about his take on LIVE-IN says “प्रेम है तो सब पवित्र है”, and in another there is this line “मुस्लिम हूँ एलियन नहीं”, with some interesting writing this one is light-breezy film, fulfilling the entertainment quotient for the weekend.

Memories

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A few days back while on cycling on the banks of Lake Pichhola, amidst the trash that some of us throw so carelessly were photographs. A close inspection revealed they wern’t mere photographs but indeed wedding albums – torn and thrown in the lake. Still lying there, not yet swept away by the water to the depth of the lake bed.

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There were happy faces of elated parents, siblings and friends on the wedding rituals of their loved ones. The memories carefully stored in glossy albums in plastic cover- Photographs that were posed for, smiled for and fussed over, lying here now unclaimed, unloved and grieved over.

The relationships that may have once been investigated, checked over now all that covered with moss of broken dreams and unfulfilled desires.

How does one recover? How does one forget?

When things get thrown away, do we also necessarily empty out what once lived within?

How long before these photographs becomes part of the soil??

Or like the non-degradable plastic covered albums these memories continue to live with us forever??

Who to judge, who to questions and what to remorse??

And this reminded me so much of the famous lines of the Ghazal sung by Late Jagjit Singh:

तेरे ख़त आज मैं गंगा में बहा आया हूँ ,

आग बहते हुये पानी में लगा आया हूँ ………

STREE

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I remember seeing the first look of this movie ages back in which Rajkumar Rao is seen wearing a wedding turban and I thought this movie is going to be similar to the films being based in small town India. Well I was right about that one but the movie was nothing like what I had seen earlier.

This film is about a small town – Chanderi that is haunted by a witch who abducts and kills men during an annual four day festival leaving behind just the clothes of the victim. The only remedy to this problem is to stay indoors in the night with a message for the STREE i.e. The Witch written on the walls of each house of this town. Like all the small town movies there is this protagonist played by Rajkumar Rao, his buddies, some unusual characters thrown in mouthing hilarious dialogues and then there is this mystery woman played by Shradha Kapoor for whom our hero is besotted by.

The film is scary and also left me splits in most parts especially the scenes when the village’s Mr. Know-it-all played brilliantly by Pankaj Tripathi is trying to find ways to get rid of that witch. We also have a friend of the hero who gets possessed by the witch and how he is being contained.stree-nale-ba-759

The movie belongs to Rajkumar Rao who has graduated from being a Saree salesman in Bariely Ki Barfi to a Ladies Tailor in this film and whose clientele is spread across nearby 3-4 towns so we are told. Only he has the skill set to play this small town simpleton with such earnest. He is cocky, goofy and funny in the film. He nails it when he is asked to show love towards STREE and despite being shit scared he looks into her eyes and tries to woo her in Shahrukh’s trademark style. There is this another scene in which his father tries talking to him about the adulthood and rising hormones.

STREE is brilliant example how clever and funny writing and brilliant ensemble cast can lift a plot that may seem wafer thin but when put all together delivers a great film watching experience.

Highly recommended!!

TRIVIA – We were seated in a row where there were a couple on both sides of our seats. One was busy clicking selfies and holding each other’s hands (No, I didn’t witness anything more) and the other couple made me feel as if I was in an echo chamber as they were repeating / pre-empting all the brilliant dialogues. This so reminded me of the good old days of single screen theatres in Udaipur, only thing missing was the company of cats/rats and the samosas.

Political Worker

One lazy Sunday afternoon when moving an eyelid is also a herculean task, my father informs me of an impending visit by a hotshot astrologer / politician claiming to be close to the mighty and powerful from a northern state. Grudgingly I muster all my energy and move away from my weekend of Netflix Binge.

This gentleman arrives with his entourage with all the necessary peripherals i.e. wearing Starched Linen (bcoz linen is the new Khaadi) Kurta-Pyjama, carrying 2 Mobile Phones and couple of hanger-ons !! A few minutes in the conversation I realised his clout was definitely overstated and he was what is called in the corporate jargon – A midlevel employee, someone who draws power from the fact that the CEO knows his name and this very achievement is used to keep the subordinates in their place i.e. tiny cubicles!!

Having had a brief experience as a karyakarta of my party, I can sometimes easily find out the nature of a person in terms of their politics. I have realised the political workers can be somewhat be broadly classifies in set of categories across the party lines. Each has their own unique characteristics. To name a few:

  • The Believers – The Believers are the true upholders of the party ideology. They implicitly believedownload in the principles of the party and its leaders. They are never hankering for party posts or draw personal advantage from the above beliefs. For them being in power or not is immaterial as long as the party is true to its cause. This is a category any party should be proud to have but sadly they are the most neglected ones only remembered during the elections.

 

  • The Dissidents – The whole existence of Dissidents is derived from the fact they oppose a powerful download (1)individual from their own party with tooth and nail. They are usually in minority in their party but that’s what gives them visibility, acceptance and media space. They may not have any worthwhile accomplishments of their own but their own stature is only fed on the criticism of the other.

 

  • The Followers – The followers is what every Leader/Neta wants to acquire. Party ideology be downloaddamned!! They have complete faith, trust and confidence in their leader whichever side he chooses to be in. They are similar to the believers in a sense that like them they are always standing with their leaders. There is however a downside of having them, they sometimes cloud the reason of their leader and also takes them away from the reality.

 

  • The Fence Sitters – This category belongs to individuals who want to be close to power. They have no ideology and no loyalties. download (2)They can suck-up to whoever is calling the shots. Considering the fleeting nature of politics they can switch loyalties in a blink of an eye with no remorse or guilt. They are perfect in playing the subservient role and can give a true follower a run for his money and make the Neta even question The Followers. They are the most dangerous one cause you don’t know when they switch to the other side and show their true colours.

 

  • The Professional – Politics now days for some are no more about service and this category symbolises this download (1)perfectly. For them politics is another profession they have chosen to be to earn their livelihood. Their politics is about the advancement of their business and are usually in an industry that is highly dependent of government liaison or interference. They sometimes have to suffer from being close to a political party but the profits earned during the good times help them glide over these hiccups.

To get back to the beginning, over a cup of चाय (u can say चाय-पे-चर्चा) we discussed politics, wrote off some people and then he left our place with big promises of putting a positive word for me to the higher ups. I just hope I don’t have to use his influence but like Mr. Bond said ‘Never say Never Again’, I am thinking of soon forwarding him फूल-पत्ती, चाय-कप वाला Good Morning message !!

A JOURNEY TO REMEMBER

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आज दिनांक 31.7.2018 को हम सब आधुनिक राजस्थान के निर्माता एवं पूर्व मुख्यमंत्री स्व. मोहनलाल जी सुखाड़िया की 102 वीं जयंती मना रहे हैं और इस से बेहतर और क्या दिन हो सकता है जब उनकी धर्मपत्नी एवं पूर्व सांसद स्व. इन्दुबालाजी सुखाड़िया के योगदान को भी याद करें.

इंग्लिश के एक मशहूर कहावत है की – ‘Behind every successful man there is a woman’ यानी एक सफल पुरुष के पीछे हमेशा एक महिला का हाथ होता है और यही बात स्व. मोहनलाल जी सुखाड़िया पर भी लागू होती है. उनके व्यक्तित्व, उनके कार्य, उनके स्वाभाव और उनके राजनैतिक सफ़र के बारे में बहुत कुछ सुना, देखा और पढ़ा गया है. लेकिन कई अनछुए पहलों ऐसे है जो सुखाड़िया जी के संघर्षों में उनकी भार्या के योगदान को समझने का मौका देती हैं.

सन 1942  पर गांधीजी का “करो या मरो” का नारा और जेल भरो आन्दोलन अपने चरमोत्कर्ष पर था. सुखाड़िया जी के विवाह को मात्र 3 वर्ष ही हुए थे. तब उनकी 3 माह की एक बच्ची थी. एक दिन अचानक रात को 1 बजे पुलिस जा धमकी , घर की तलाशी ली गयी. श्रीमती  सुखाड़िया ने उन्हें तिलक लगाकर नारियल देते हुए हँसते-हँसते विदा किया. सुखाड़िया जी को इसवाल जेल में बंद कर दिया गया. अन्य राजनैतिक कार्यकर्ताओं की भांति चंदाश्रित श्रीमती सुखाड़िया को पसंद नहीं था. वे उदयपुर दिल्ली गेट स्तिथ पाठशाला में अध्यापिका बन अपनी आर्थिक आवश्यकताओं के समाधान का माध्यम स्वयं ही खोज लिया.unnamed (3)

तब सुखाड़िया जी को पथ विचलित करने के लिए तत्कालीन पुलिस अधीक्षक सुन्दरलाल त्रिवेदी ने सहानुभूति का नाटक रचा और इन्दुबाला जी को कहा की इतने कम वेतन में कैसे काम चलेगा ? स्तिथि विकट है उन्हें सुखाड़िया जी को समझाना चाहिए , शायद सारी उम्र जेल में कट जाए या राष्ट्रद्रोह के अपराध में फांसी हो जाए. उन्होनें पुलिस की सलाह मान ली लेकिन शर्त राखी की वे अपने पति से अकेले में बात करेंगी.

जब वह उनसे मिली तो सुखाड़िया जी ने पूछा “ तुम क्या चाहती हो? क्या तुम भी सरकार के सामने समर्पित होने को कहती हो?” वह क्षण ऐतिहासिक था, बड़ी सहजता से उन्होनें कहा “आप मेरी औए बेबी की चिंता न करें. मेरे मोह में पड़ कर विचलित हो गए तो इससे बड़ी पमानजनक पीड़ा मेरे लिए और कुछ नहीं होगी. मैं आपसे सिर्फ यह कहने आई हूँ की यदि फांसी पर भी झुलना पड़े तो भूल जाना, लेकिन पथ से डिगना मत.” सुखाड़िया जी गर्व से अभिभूत हो उठे, इन्दुबाला जी उनके इरादों को और पुख्ता कर आयीं थी.

घर की चौहद्दी के अन्दर मुख्यमंत्री स्व. इन्दुबाला जी बनकर ही रहती थी. उनका कठोर शासन सुखाड़िया जी को शिरोधार्य करना पड़ता था. जब सुखाड़िया जी ने स्वेच्छा से मुख्यमंत्री पद से त्यागपत्र दिया तो कई राजनैतिक मित्र, कांग्रेसी विधायक आदि उनको समझाने के लिए आये की वे त्यागपत्र ना दें. तब इन्दुबाला जी द्रढ़ हो गयीं की त्यागपत्र किसी हालत में लौटाया ना जाये. तब सुखाड़िया जी ने चुपके से मुस्कराकर यही कहा की इसने तो साक्षात रणचंडी का रूप धारण कर लिया है.

इस किस्से को याद करते हुए राजस्थान प्रदेश कांग्रेस की अध्यक्षा स्व. लक्ष्मी कुमारी जी चुण्डावत कहा था की रूप जो भी धारण कर लिया हो इन्दुबाला जी ने यदि सुखाड़िया जी ने किसी प्रकार के भी प्रभाव में न आकर त्यागपत्र न लौटाया, तो इसका एक मात्र श्रेय इन्दुबाला जी को ही था !!

पूर्व सांसद, मंत्री एवं किसान नेता स्व. कुम्भाराम जी आर्य ने उनके योगदान को याद करते हुए कहा था “सुखाड़िया सहनशील, कुशल राजनीतिज्ञ थे. उनकी धर्मपत्नी इन गुणों को पोषण और रक्षण देनेवाली धर्मपत्नी रहीं. सुखाड़िया की कीर्ति में बहिन इन्दुबाला का हाथ कम नहीं रहा.”

मृत्यू के कुछ ही समय जब वरिष्ठ पत्रकार बी एल पानगडिया ने सुखाड़िया जी से पूछा की उनके दीर्घ सार्वजनिक जीवन में सर्वश्रेष्ठ घडी कौन से थी. तब सुखाड़िया जी ने बताया की शादी के बाद जब पहली बार नाथद्वारा आये और वहां के युवकों ने “मोहन भैय्या जिंदाबाद” के नारे लगाते हुए जिस तरह नव वर-वधु का स्वागत किया था वोह उनके जीवन का सर्वश्रेष्ठ पल था.

स्वयं सुखाड़िया जी ने इस घटना का निम्न शब्दों में वर्णन किया है :- “आज में सोचता हूँ की मुख्यमंत्री के रूप में भी मेरा ऐसा भव्य और अपूर्व उत्साहपूर्ण जुलुस नहीं निकला. इस जुलुस ने मुझे भावी जीवन के संघर्ष में आगे बढने की प्रेरणा दी. मेरे इर्द-गिर्द सशक्त नौजवानों की अपूर्व भीड़ थी, इस घटना के बाद में मैंने फिर कभी पीछे मुड़ कर नहीं देखा.”